“How about we fix it in post” is a universal motto in the video creation industry that makes wrap-ups less shocking for chiefs and cinematographers.
Particularly in a beginner creation with a little financial plan, things never go as arranged, and the after creation generally turns into the last beam of desire to make things right.
In any case, that is nothing but bad information for editors. More the times the very motto is continued during the creation, the more will be the assumptions placed on their shoulders. Albeit the finished products merit the work, a brief changes can make after creation less appalling for editors.
So the following are seven repeating issues during after creation and the manners in which you can fix them effortlessly.
Not Planning Before Editing
Regardless of whether your arrangements for pre and underway fall flat, there are a great deal of things you can do to decrease their effects on after creation. Also that is arranging how to alter the recording. This might seem like a platitude for some, yet pretty much every beginner neglects to design the alters.
Prior to beginning, you really want to have a fresh thought of how precisely your last draft ought to be. It is generally smart assuming you can invest in some opportunity to ponder your video’s motivation, and above all, the crowd it is expected for.
Record each direct that comes toward your psyche; they don’t need to line up with the plan you had for every scene during the composition or storyboarding process. Motion pictures like American History X went through huge changes in the altering table to take the state of the story as we are aware of it today.
Missing Important Clips
At the point when you are making a meeting video, the requirement for additional clasps may be negligible, as you will presumably be altering straightly, precisely as how the meeting advances. Yet, for narratives, films, or music recordings, you will in all likelihood be after non-direct narrating.
In such cases, opportunities for passing up significant clasps are higher as they will be spread across a store of film records. The best thing to do – invest in some opportunity to play each document. As a master tip, you can play each document at 1.5X speed and save time.
Coordinating clasps into envelopes won’t just chop down the altering time yet will likewise assist you with observing those secret pearls that can be utilized in your promotion recordings or montages.
Using Low-Quality Audio Files As BGMs
Let’s be honest. Ambient sound plays a significant part in setting the state of mind of your video. A thoroughly examined BGM arrangement can represent the deciding moment your film.
Assuming you are wanting to create the BGMs and remember them for the video during the post, you will definitely utilize the great sound documents. Yet, on the off chance that you are wanting to utilize sovereignty free music from YouTube, you need to ensure you utilize the greatest sound documents.
For that, convert youtube to mp3 in great sound records utilizing a web-based YT to mp3 converter and deal an unequaled listening experience to your watchers.
Not Considering Screens With Low Color Saturation
In the earlier days, editors and colorists had to deal with the least number of screen types. But now, they must prepare for every kind of screen: mobile phone screens, TVs, computer monitors, projectors, and so on.
The problem here is that the saturation of screens of different devices dramatically varies. While color grading the video, special care must be taken to ensure that the final output is never over-saturated in any of the screens.
Exporting small scenes while editing and viewing them on multiple devices will give you a fair idea of the best saturation levels to follow.
Relying On Digital Zooming
Although most productions rely only on optical zooms, if some unintended props get into the scene or you want to draw more attention to something, editors may have to use digital zooms as a last resort.
But by doing so, you will be spoiling your video’s viewing experience, especially in high-resolution screens. If you have the needed budget, try using VFX to morph out the unplanned elements from a screen.
If possible, try using multiple shots from different angles or L-cuts and J-cuts to make the scene look less abrupt.
Too Many Jump Cuts
Having film finished with jerks or characters up of concentration? We feel you.
In such cases, nothing other than bounce cuts might appear to be practical. However, thusly, you might ruin the survey insight, or leave your crowd feeling confounded, except if it is an activity scene.
Rather than taking leap cuts, having a go at utilizing the J-cut or L-cut, which will add more importance to the video and make the advances more regular.
In any case, assuming that you are making a promotion video, hop slices are an incredible method for showing an outline of your film, without offering its whole plot. On the off chance that your creation financial plan is tight and can’t bear a promotion video, you can utilize a free promotion video producer like InVideo to make a stunning secret that can make watchers go “amazing.”
Not Exporting In The Right Format
Even if you are planning to release your video on YouTube, Instagram, or in the form of DVDs, choosing the right export format during the end of the post-production process is essential. Otherwise, there are chances that the audio goes out of sync, or the displaying device may fail to render the video file.
As a best practice, it is advised to look up the formats that are supported in specific platforms and export your final draft only into those. This will make sure your audience sees your video in the right way you intended them to.
It’s A Wrap
So there you have it – the seven recurring problems that can arise during post-production and easy solutions for it. Do give these easy fixes a try, and you will see significant improvements in your output video’s quality.
Make sure you try to avoid these problems with ingenious post-production planning and also ensure you don’t entertain the “let’s fix in post” slogan on your sets. Editors are poor souls that have the least say during production, as in most cases, they won’t be there to oversee it.
